The stream is free by accident
Selling it would mean a ticketing tool, a password page and a spreadsheet of who paid. So the final goes out on a public channel, and the revenue goes nowhere.
Charge for the stream four ways, put your sponsors in the player and on the page, sell admission at the gate and the shirt after the final whistle — with every online payment landing in your own Stripe, PayPal or Square account.
Selling it would mean a ticketing tool, a password page and a spreadsheet of who paid. So the final goes out on a public channel, and the revenue goes nowhere.
Members expect to watch what they already pay for. The casual fan won’t subscribe for one night. A single paywall loses one of them every time.
The title sponsor paid for the broadcast. The stream carries no ad break, the site carries no banner, and nothing you hand them at renewal shows what they bought.
Gate tickets in one app, merchandise in another, stream access in a third — three logins, three sets of buyers, and no clear picture of what the night earned.
What a first paid event usually needs. Every item is a switch, a setting or an add-on, so an event that only sells the stream can leave the gate and the shop off.
A composite: an organisation that has always streamed for free decides to sell its championship final — six days out, with the team it already has.
An administrator adds the organisation’s Stripe and PayPal accounts in Payments, presses test credentials on each, and flips both from sandbox to live. Keys show back only as their last four characters, and every sale will go straight to those accounts.
A fixed-date season pass that closes for everyone on the same day, and a monthly plan with ads switched off that renews through Stripe, where checkout leaves PayPal out. The final goes hybrid: plan holders walk in, and everyone else buys a one-time ticket with Stripe or PayPal, its access window stretched from 24 hours to cover the whole week.
The title sponsor’s spot goes into the site-wide pre-roll with a five-second skip, and a mid-roll repeats every 20 minutes a viewer watches live. Their banner takes two of the eight website placements, and their logo joins the sponsor carousel on the homepage.
With the Ticketing add-on, the same final gets admission tickets: a general tier and a family tier, each with its own capacity and sales window. Every ticket is barcoded, carries the organisation’s logo and the sponsor’s, and arrives by email and PDF.
Through simulcast, the pre-show goes out free on YouTube and Facebook, while plan and ticket holders watch it on the event page. When the final starts, the producer switches both destinations off, and from here the final plays only where it’s sold.
At the doors, staff scan tickets from their phones and the entry count climbs as they go. Online, a viewer without a plan presses play, is told exactly why it won’t start, and is offered both ways in: a plan, or the ticket.
The replay publishes itself for plan holders — one more reason to keep the monthly plan. Plans, stream tickets and store orders sit in the Payments console; admission sales sit in Ticketing’s own reports. The branded analytics PDF for the sponsor exports in one click.
Walk through a hybrid event on a call — the plans, the ticket, the ad breaks and the gate — built around your own calendar.
A 30-minute walkthrough of the live product — no slides.